Article by Guna
"In 1941, Soka Kyoiku Gakkai issued their first monthly periodical, Kachi Sozo. The Japanese nation, unable to extricate herself from the prolonged Sino-Japanese conflict, was on the verge of entering another new war against the joint forces of the USA & England. It was a period of mounting tension, for in December of that same year, the Pacific War was to begin. The prewar Japanese society under the militaristic government brought unwanted pressure upon the lives of the Japanese people all the more. A thought-control policy was rigidly imposed; even religions and ideologies were increasingly subjected to strict control. The philosophical thoughts of Soka Kyoiku Gakkai were of no exception; they, too, were rapidly turning into those of extremely militaristic outlook, reflecting the social background of this age.
Today Soka Gakkai & SGI are desperately trying to conceal their wartime record, doing their utmost best and expending every means available to distort their past militaristic attitude. They attempt to project the image of the eternal peace-loving humanitarian group, and on every occasion everywhere, they loudly publicized their 'anti-war, culture, education, and humanisrri stance as if they have always been staunchly in favor of them. Yet the reality indicates differently. The historical and documented facts can not be easily expunged nor erased from the records.
Mr. Tsunesaburo Makiguchi's remarks, carefully documented in the 'Corroborate Records of Life based on the Philosophy of Value of the Supreme Goodness published on August 10th, 1942, under the heading, "The Instruction Manual Summarizing the Experiments and Testimonials of Life based on the Philosophy of Value of the Supreme Goodness," substantiate their militaristic viewpoint:
"'Sacrifice your own skin to slash the opponent's flesh. Surrender your own flesh to saw off the opponent's bone.' With their faithful implementation of this well-known Japanese fencing (kendo) strategy into actual practice during the war, the Japanese military is able to achieve her glorious, ever-victorious invincibility in the Sino-Japan conflict and in the Pacific war, and thus, easing the minds of the Japa- nese people. This [strategy of sacrifice] should be held as an ideal lifestyle for those remaining on the home front and should be applied in every aspect of our daily life.
The same manual also contains a report on the agenda for the 4th Soka Kyoiku Gakkai General Meeting held on May 17th,1942 at Hitotsubashi Kyoiku Kaikan in Kanda, Tokyo as follows:
"... (Omission)... Approximately four hundred members were present. At 10 o'clock a.m., facing toward the Imperial Palace,.a silent prayer for the war casualties was offered. The meeting proceeded according to the agenda. In another room, the Sobi Kado Kai, the Flower Arrangement Society, whose principle guidelines for instructions are based on the theory of Value-Creation, held a flower arrangement exhibition. There was also a display of various prizes awarded to children educated under the same guiding pedagogical method. This greatly impressed all those in attendance, further increasing their appreciation of their own life based on the mer its of the doctrine of'faith equals daily life.' Immediately after concluding the General Meeting proceedings, Director Toda was nominated to chair the discussion meeting which followed with all the participants attending. Personal testimonials were given on the topic of "How to Establish Faith in One's Daily Life." After this, there was a very serious, intense question and answer session. Director Iwasaki spoke next with his closing speech, and lastly, President Makiguchi led three cheers of "Banzai" ("Long Live the Emperor") for His Majesty the Emperor. The meeting ended shortly after 4 p.m." The Opening Address - by Director Nojima
"Since the start of the Great East Asia Co-Prosperity War, the brilliant military achievements and glorious war results [of the Japanese military] are due to the fact that the Lotus Sutra is the guardian spirit of our country. After listening to the reassuring news of the string of great victories broadcasted on the radio last evening, I am overwhelmed with gratitude and ever more appreciative of being able to open the meeting today." The Closing Speech - by Director Iwasaki
"What is the usual state of life in this mundane world? Life itself is a heavy chain, hopelessly in bondage to individualism, the intrigues, the jealousies, the rejections, the illusions and the insecurities. We, however, are not, in the least, fettered by any of these bonds. When I think about this blessed state, I believe we have already won the victorious battles in the struggle for the Great East Asia Co-Prosperity War. As one member of the divine Japanese Empire's civilian front, I am fully aware of our one great mission, which we are held accountable. It is the most natural duty as patriots to generate industrialization, to offer our professional skills and abilities, to save our money and savings, and to lead a life of simplicity and thriftiness. Nevertheless, if there is one member of Soka Kyoiku Gakkai who thinks he has fulfilled his patriotic duty as a member of the civilian home front by merely carrying out the above sacrifices, then he is gravely mistaken. What then is our true mission? It is, without exception, to conduct shakubuku. Through our shakubuku, we teach others and spread this life of happiness to the general society. When all insecurities, illusions, jealousies, rejections, chains and fetters in this world have dissipated, at that time, an indestructible home front will be constructed. This civilian front will never surrender, fighting till the bitter end to establish the Great East Asia Co-Prosperity Sphere no matter how long it may take.
These wartime remarks by the members of Soka Kyoiku Gakkai are a far cry from their "anti-war' and "peace-loving" stance the Gakkai so vehemently claim they are and have always been in the past."
Comment: Only after Hiroshima and Nagasaki did Toda become a pacifist.
4) Soka propaganda masquerading as a documentary
ReplyDeleteThe following was written by former Soka member Lisa Jones in April, 2003.
You've probably heard the rumors: Some SGI-USA members are claiming that the movie "Embattled Buddhists: Under the Rising Sun," a one-hour documentary about Soka Gakkai's history, was made and paid for by the SGI.
I called Sylvia Hueston, the SGI-USA member who served as the film's producer, and asked her point blank who financed the film. "It was paid for by Global Management Group," she said. Hueston assured me that the documentary is an independent production. A dispatch from the SGI Office of Public Information also states that the documentary was made by an independent company.
Hueston told me that she does not know much about Global Management Group or the film's executive producer, Keiko Kimura. According to Hueston, Kimura is not a member of the SGI.
But some SGI members say that "Embattled Buddhists" is not an independent production at all. They are quick to point out that the film's director and editor is Cory Taylor, a prominent SGI-USA leader. They also point to Hueston in the role of producer.
"It's like a cardinal and an archbishop making a documentary about the Catholic church," said Chris Oaks, a Los Angeles-area SGI member. "There's nothing wrong with that, but you can't claim it's independent or objective."
"Who is Global Management Group?" asks a screenwriter, would-be indie film producer and SGI member who asked not to be identified. "Anyone who has tried to make an independent film knows that production funds are hard to get. Most PBS-type programming is made possible through grants and donations. So who put up the money for this film and why? Was it financed by SGI directly or indirectly?"
We may never know the answer to that question; SGI declines to disclose the details of its financial dealings.
According to the online database provided by the California Secretary of State, Global Management Group, Inc. (corp. number C1772225) is listed as "suspended." Kimura is listed as the contact.
"If SGI paid for the movie, fine," says Oaks. "But let's not be sneaky about it. This is a documentary that supports SGI's version of events, SGI's interpretation of its past and SGI's point of view. Why not just be honest about our bias?"
Hueston says that if anyone really wants to know who contributed money toward the production, they should record the broadcast and freeze-frame the donor acknowledgements at the end of the film. "Everyone who contributed is listed," Hueston says. "These are sponsorships that Keiko Kimura solicited." Hueston adds, "Keiko is back in Japan now and -- really -- she is not a member. She got the inspiration to make this documentary after seeing how the SGI was treated in Japan."
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I responded with this e-mail:
Hi Rie --
continued...
ReplyDeleteThanks for the info about "Embattled Buddhists." I have not seen the film, but I would like to.
One SGI-USA member wrote down the list of sponsors at the end of the film. Can you provide more information about them? Are they members or otherwise connected with SGI?
Angel Capital Corporation
Mari Shikoda
Hiromi Nabeshima
A.N.L. Corporation
MacDonald & Beckman (Steven MacDonald is a San Francisco-area SGI leader)
Virender Goswami (SF attorney specializing in immigration law)
Rouse & Bahlart (Cheryl Rouse is a leader in San Francisco)
Chuck Texeira (SF attorney)
Also, another SGI-USA member noted that the credits listed the following people: Clarice Robinson (producer), Anthony Andrews (writer), Tim Jones (composer who has done work for SGI before). Are all of these people SGI members?
Please understand that the issue for some SGI-USA members is not about the film's quality or accuracy. It's about the integrity of portraying the film as an independent production, implying that the film was made independent of SGI's editorial control.
Some members find it disheartening that the only scholars, writers and documentarians who have favorable views of the SGI are the ones on the SGI's payroll or membership list. Granted, this may not be the fact in all cases, but it is a widespread perception among members in the US. Perhaps no one has a problem with this kind of thing in Japan. But in the US, it raises questions about the legitimacy and true motives of an organization; in public relations terms, it raises people's suspicion and makes the organization look like it is trying to deceive people somehow.
I truly appreciate that you took the time to clarify some facts about the film. I will post your response on the BuddhaJones website the next time we update it, which will probably be sometime in the coming week.
Thanks!
Lisa Jones
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I agree that it is naive to imagine that SGI should merely maintain a passive and detached stance while negative perceptions and misinformation perpetuate. ;-) After this exchange, promotional materials distributed by SGI-USA about the film made no mention of it being an "independent production."